"The Little Thief" tells this interesting story in a somewhat frustrating way. She meets a young man who also is a borderline criminal, and attaches herself to him, and there is the possibility that she will become defined as a criminal before she ever has the chance to define herself. He wants her to stop stealing and become a secretary, but Janine is not tame enough for office life. What is she looking for? A father? An identity as an adult? The older man tries to act as a parent as well as a lover. She deliberately loses her virginity, and reapplies to the older man. She meets an older man and wants to have an affair with him. But underneath there still is the need for rebellion. The affection is welcome and soothing, and Janine is interested in the new world of experience that the couple can open up to her. And finally she runs away from the aunt and uncle and their dairy farm and small village, and goes to the city, where she is hired as a maid by a couple who care for her. She waits for a letter from her mother that, year after year, never seems to come. Played by Charlotte Gainsbourgh, she is a serious young girl, attractive, secretive, determined to be independent. First we must follow her through the stages of her unhappiness and growth.
In "The Little Thief," the outcome of Janine's life is left unclear, but her last act as a criminal is, significantly, to steal a camera.īut that is at the end of the movie. In Truffaut's case, the man who saved him was the film critic Andre Bazin, who also introduced him to the movies. It bears the familiar autobiographical imprint of Truffaut's own experience - the experience of a young juvenile delinquent who was saved from a life of crime by a man who believed in him, and became instead a great film director. Now comes this last story, produced by Claude Berri (who was given the story by Truffaut on his deathbed) and directed by Claude Miller. In fact, Truffaut originally intended "The 400 Blows" to be about both Antoine and Janine, and cut out the girl only because he felt there was more story than he could tell. It was the same situation with Antoine, the famous young hero of Francois Truffaut's great 1959 film " The 400 Blows," and there is a poetic justice in the fact that the story of "The Little Thief" was the last one written by Truffaut before he died in 1984. Stealing is her way of telling people she doesn't care what they think of her.Īnd yet we do not sense that this is a bad girl, only an unhappy one who needs someone to love her and something useful to do, and she will be healed. We sense a strong current of anger in the girl, and we sense she expresses her anger in crime.
0 kommentar(er)
